Back Forward Table of Contents Print ©ICDBL
The Scottish style bagpipes were introduced to Brittany in the late 1800s. Between 1895 and 1928 just five of these instruments were in use. These bagpipes did not attain any degree of popularity until the late 1930s when they were used in place of the biniou koz in pair with the bombarde. While still used in this pairing today, this bagpipe is best known for its role in the bagad, a Breton bagpipe band developed in the early 1950s. At this point the Scottish bagpipe came to be known as the biniou braz or biniou nevez and they were modified in tuning to more closely match the fingering of the small biniou koz. In the 1960s Bretons reverted to the Scottish model and its tuning in using this instrument in the bagad. The French word cornemuse is also used to refer to this type of bagpipe, but usually refers to bagpipes more generally, or is used to refer to solo piping using this instrument.
The bagad is a bagpipe band modeled after Scottish pipe bands, but this ensemble includes bombardes as well as Scottish style bagpipes and drums. Typically a bagad includes eight Scottish bagpipes, eight bombardes, four snare drums, two tenor drums and one bass drum. While members of a bagad wear "uniforms" these are often very simplified version of older traditional dress, incorporating perhaps an embroidered vest.
Although the bagad has always been a popular part of parades at large Breton festivals, these ensembles also perform Breton dance music, arranging tunes from the traditional repertoire of singers or the paired playing of biniou koz and bombarde. As the quality of technique has improved over the past three decades, bagadoù (pl.) have become more and more innovative in arranging Breton music and in composing new music. Annual contests for six different levels of bagadoù are showcases for the highly sophisticated orchestrations, especially at the top level of competition. In developing a concert repertoire, bagadoù also invite singers and other instrumentalists (brass, clarinets, electric and acoustic guitars) to join them in performance.
Most of the 100 or so bagadou in Brittany today are part of the federation Bodadeg ar Sonerion which was founded in 1942. This federation publishes a magazine (Ar Soner), and organizes classes and contests for pipers and bombarde players. Web site: http://www.ar-soner.org/
Ar Soner
(55 impasse de l’Odet, 29000 Quimper).
Published by Bodadeg
ar Sonerion, an organization for bagpipers and bombarde players with
approximately 3,000 members. This magazine primarily of interest to these
musicians (with contests results and music transcriptions as a major part of the
content), but it also includes articles on Breton music of more general
interest.
Bagad – triomphe d’une nouvelle tradition. Armel Morgant. (Spezet: Coop Breizh) 2005. 159 pages. Well documented book, richly illustrated with photos on the history of the bagad.
La Musique bretonne
Roland Becker & Laure Le Gurun.
(Spezet: Coop Breizh) 1994. 120
pages
Good single source of short background information on Breton
music--especially good for piping and instrumental traditions.
Breton Traditional tunes for the
Scottish Highland Bagpipe.
Jean-Luc Le
Moign. 1989
60 Breton tunes transcribed for the Scottish Highland pipes; includes dances
and melodies from all over Brittany with notes for learners.
"Quarante années au service de la musique bretonne" Polig Monjarret. Ar Soner 273 (40th anniversary issue), 1983. pages 7-18. Overview of the use of bagpipes in Brittany and the evolution of Breton music in relation to social and political changes
"Polig Monjarret
parle de Dorig Le Voyer (1914-1987)" Monjarret, Polig.
Ar Soner
299 (December 1987), pages 16-20; Ar Soner 300 (January-March 1988),
pages 8-11;
Ar Soner 301 (April-June 1988), pages 19-22. Both Polig Monjarret and
Dorig le Voyer were important figures in the renaissance of piping in the 1950s
in Brittany; this article focuses on the role of Dorig Le Voyer who was also a
pioneer as a pipes and bombarde maker.
“Polig Monjarret 1920-2003” Ar Soner 372, (January-February 2004). 24 pages. Hommage to this giant in the history of Breton piping which includes interesting overview of his life and influence.
« La B.A.S.: Mouvement generateur d'une conscience bretonne » Ollivier, Steven. Ar Soner 327 (January-February 1994), pages 4-8 Interesting history of the Bodadeg ar Sonerion and its place in the history of Breton music and piping--especially the development of the bagad.
“Un sociologue chez les bagadoù” Aurélian Le Gal. Ar Soner 371 (October-December 2003), pages 15-23. A sociological analysis of the human make-up of the bagad and changes over time.
“Le triomphe des sonneurs” Ronan Latry & Stéphane Riou. Ar Soner 376 (October-December 2004), pages 22-25. A look at the role of the bagad in festivals and parades.
Included here are just the most recent recordings, although a few older “classics” are also noted.
SOLO BAGPIPES Cornemuse--Scottish style instrument.
Patrick Molard.
Biniou braz
Cinq Planètes/Calen Distr.
1998;
Deliou L’OZ Production L’OZ 29 (NV3541-1). 2000. Includes uillean
pipes, Scottish pipes; Scottish small pipes, biniou koz, Bulgarian singer
Kalinka Vulcheva.
Patrick
Molard & Alain Genty.
To the Bobs. Keltia Musique KMCD 156. 2004. Bagpipes, guitar and keyboard
features Scottish repertoire in homage to Bob Brown and Bob Nicol as well as
pipesmaker Bob Hardie. A book of tunes is also published under the same title..
(Patrick Molard) & Dan ar Bras.
Theme for the Green Lands: Suite for Pipes and Guitar. Keltia Musique
MCD48, 1993. Compositions by Dan ar Bras which feature a great deal of piping
by Patrick Molard.
Various pipers.
Bretagne cornemuse aventures. EOG Production. EOG 110. 2001. Includes
solo and accompanied piping by Alan Cras, Patrick Molard, Gwenaël Le Corrone,
Hervé Le Floc’h, Mikael Cozien, Yann Cariou.Solistes
Bretons de cornemuse.
Self-produced CBS 01. 2002
THE BAGAD
Note that many
bagadoù have websites on the internet where you can sample their music.
Bagad ! – Une légende
bretonne
Pathé DFRS 457155. 3 hours DVD and 42-minute CD. This presents the history of
the bagad, includng interviews with musicians and bagad performances and
practice.
Various Bagads and
ensemble
Concours de Brest 2004.
Bodadeg ar Sonerien 2004.
Contest performances by Brittany’s top bagadoù
Bagadoù Brest 2005. 3
CD set. 2005. Championship performances from 56th year of contest.
Bagadoù – L’Anthologie.
Coop Breizh CD 945. 2005. 2 CD set. Richly illustrated and documented 50-page
portrait of 19 bagadoù accompanies the CDs.
Bombardes en fête.
BAS Penn ar Bed. CDBAS 29
001. 2002. Performances from 1994 to 2001 from an annual festival of
bombardes – from traditional dances to Beatles tunes, solo and ensembles.
Bagad
Brieg.
Gogo Droc’h. Coop Breizh.
CD 899. 2000.
Karamba – Le Canard déchainé.
Keltia Musique KMCD 162. 2005.
Bagad
Cap Caval
Brezhoneg ‘raok.
Coop Breizh BCC 002. 2002
Hepken.
Bagad Cap Caval BCC 003. 2004
Bagad
Kemper.
Hep Diskrog. Keltia Musique KMCD 100. 1999
Azeliz Iza. Keltia
Musique KMCD 121. 2001.
Sud-ar-su. Keltiq
Musique KMCD 151. 2004
Bagad
Kemperle.
Ar Gouriz
ruz.
Coop Breizh CD 895. 1999.
Bagad Kerlenn Pondi.
Fest a gren.
Arfolk CD 446. 1997.
Champion de Bretagne des Bagadoù 2001.
Coop Breizh. 2001
Bagad
Landerne
Bagad Landerne.
BL 001. 2003.
Bagad
de Lann-Bihoue.
Ar mor divent.
Columbia COL 498476-2. 2000.
Fromveur. Byg
Production SAM 5086512. 2002.
Kerbagad. Label
Production CD 965. 2005.
Bagad Men ha Tan & Henri Texier.
Doue Lann.
L’OZ Production L’OZ 21.
1998.
Bagad
Men ha Tan & Doudou N’Diaye Rose.
Dakar.
L’OZ Production. L’OZ 30/NV 3601-1.
2000. 51’43. Senegal drums
added to bagad
Bagad
de Moulin Vert . Ar Meillhoù glaz
Steir’ Tijenn.
Pluriel POLCD 2305. 2003.
Bagad Pañvrid
(Pomerit-le-Vicomte)
Skipailh war-roak.
Self-peroduced VOL 193. 2004
Bagad
Ronsed Mor-Lokoal Mendon.
Coeff 116.
Arfolk 441. 1997.
Bloavezh mat.
Coop Breizh CD 957. 2 CD set. 2004.
Bagad
de Saint-Nazaire.
Fonds de Terroir.
OMAX 9820. 1998.
QM2 CD SNA-0324.
2004.
Black Label Zone.
Pot’ velu. Siam Production. BLZ 310300. 2000 More of a Scottish style
ensemble featuring the bagpipes and drummers in wild arrangements.
Bagad de Vannes.
Er
Melineriou – Dour er vilin.
BVC01. 2003.
Gwenn ha Blue.
Self-produced. BV02/VOC236. 2005
Kevrenn
Alre.
La-ri-don-gé!
Arflok CD 442. 1997;
50 ans. Coop
Breizh/Kevrenn Alre 2001.
Kevrenn
Brest St. Mark.
Ocean Liberty. KBSM 002.
1996;
Levezon. KBSM 003. 2000.
François
Monnier.
L’Occidentale de Fanfare.
Coop Breizh CD878. 1998 Bagad
with fifes of Gascony.